The CORE employs established Manley circuit designs throughout its signal path. The microphone preamp features custom-wound transformers and all-tube amplification for up to 60 dB of gain with exceptional headroom. The electro-optical ELOP compressor provides the smooth, transparent gain reduction found in Manley's dedicated limiters. A three-band Baxandall-style shelving and peak EQ offers musical frequency contouring with fixed bands optimized for vocal and instrument processing. Try it for your DI guitar tracks as well!
Core®
Complete Tube Channel-Strip in a box
- Integrated Mic Pre, EQ, and Compressor
- All-tube Class A signal path with custom hand-wound Input Transformer
- Electro-Optical ELOP Compressor with FET brick-wall Limiter
- Hand-assembled in California

Manley Core, the essential tube channel-strip
The Manley Core Reference Channel Strip integrates microphone preamp, 3-band EQ, and dual-stage limiting in a streamlined 2U format. Hand-built in California, it combines a custom hand-wound Manley IRON® input transformer, all-tube Class A gain stages, and Manley's acclaimed ELOP electro-optical compression with FET brick-wall limiting. Designed for intuitive operation without compromising any sonic performance, the CORE delivers during tracking and mixing sessions.
Musical equalization with transparent optical compression
The CORE 3-band EQ section delivers broad, musical tone shaping with high and low shelving bands plus a sweepable mid-range band. The ELOP electro-optical compressor operates with fixed 3:1 ratio, providing natural dynamic control ideal for vocals, bass, and other sources requiring consistent level management. An integrated FET brick-wall limiter prevents signal peaks from exceeding safe levels during tracking sessions into DAWs or digital consoles.
California craftsmanship with modern power supply technology
Each CORE is hand-assembled and tested at Manley's California facility, ensuring consistent performance and long-term reliability. The unit incorporates a MANLEY POWER® supply for quiet operation world-wide. This sounds trivial in a world of USB power-supplies, but it's crucial when powering tube-driven equipment with high voltage.
Frequency Response
20 Hz – 20 kHz ± 0.5 dB
THD & Noise
< 0.1%
Signal to Noise
> 85 dB
Max Output
+29 dBu
Tube Complement
2 x 12AX7, 1 x 6922
Dimensions
1U (1.75”) × 19” × 10”
Specifications
- ALL-TUBE preamplifier audio path using 1 x 12AX7 for gain and 1 x 6922 White Follower
- Balanced Transformer Coupled XLR Microphone Input Impedance: 1200 Ohms
- Balanced XLR Line Input Impedance: 10 kOhms
- Unbalanced 1/4" Direct Input Impedance: 10 Meg Ohm
- Hi-current drive Direct XLR output Impedance: 50 Ohms
- Silent conductive plastic INPUT attenuator
- Microphone preamp high pass filter starting at 120Hz with a 6dB/8va slope
- Compressor Maximum GAIN REDUCTION: 16 dB
- Compressor ATTACK time: 60ms slowest CCW, 30ms at 12:00, 5ms fastest CW for 6dB compression
- Compressor RELEASE time: 1.5s slowest CCW, 1s at 12:00, 100ms fastest CW from 6dB compression
- Maximum Input Mic input (Low Gain Setting): -5 dBu or 435mV RMS @ 0.5% THD
- Maximum Input Mic input (High Gain Setting): -25 dBu or 44 mV RMS @ 0.5% THD
- Maximum Input Line input (Low Gain Setting): +13 dBu or 3.5V RMS @ 0.5% THD
- Maximum Input Line input (High Gain Setting): -8 dBu or 300mV RMS @ 0.5% THD
- Maximum Input Direct input (Low Gain Setting): +24 dBu or 12V RMS @ 0.5% THD
- Maximum Input Direct input (High Gain Setting): +17 dBu or 5.5V RMS @ 0.5% THD
- Maximum Input Insert return: +20 dBu or 7.8V RMS @ 0.5% THD
- Maximum Preamp Output (Insert Send): +35 dBu or 43V RMS @ 0.5% THD
- Maximum Preamp Output (Insert Send): +22 dBu into 600 Ohms
- Maximum Main Output: +20 dBu
- Insert Send output impedance: 50 Ohms
- Insert Return input impedance: 13 kOhms
- Main Output Impedance: 50 Ohms
- Direct Output Headroom (referenced to +4 dBv): 31 dB
- Main Output Headroom (referenced to +4 dBv): 16 dB
- Dynamic Range: >90 dB
- Frequency Response: 10 Hz to 20 kHz ±0.5 dB
- Large LED illuminated VU METER
- Meters switch to read Direct Output (1) from preamp, Output (2) from Main Out, or Compressor Gain Reduction
- THD & Noise (1kHz @ +4 dBm): 0.02% at Low Gain setting
- Noise Floor (Gain set to minimum): -70 dB wideband typical
- Gain via Microphone Input: 40 or 60 dB
- Gain via Line Input: 20 or 40dB
- Maximum Gain of EQ & Limiter section: 10 dB
- AUTOMUTE warmup delay: 30 Seconds
- Power consumption: 35 watts
- Operating mains voltage: 90 to 254 VAC (internal universal supply)
- Mains Voltage Frequency: 50-60Hz
- Dimensions: 19" x 3 1/2" x 7" (occupies 2u)
- Unit Weight: 8.3 lbs.
- Shipping weight: 11.5 lbs.
Frequently Asked Questions
The CORE was designed as a streamlined, "greatest hits" channel strip that combines the best of Manley's renowned circuits—including elements from the legendary VOXBOX and SLAM!—into a single, user-friendly unit.
The CORE is a versatile tool perfect for a wide range of applications, including recording vocals, bass, guitars, and other instruments.
Yes, the CORE features a 1/4" TRS insert point located between the preamplifier/compressor and the EQ/limiter sections.
Manley Power® is our proprietary, high-voltage switch-mode power supply. It provides a highly regulated 300-volt B+ rail, ensuring huge headroom and consistent performance regardless of variations in the AC mains voltage.
The CORE's all-tube audio path utilizes one 12AX7WA tube for the gain stage and one 6922 tube as a White Follower output stage.
The CORE's compressor section uses our celebrated ELOP® (Electro-Optical) technology, similar to the circuit found in the VOXBOX.
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